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My lovely and delightful author friend Melissa McTernan was one of my early readers for Ballad for Jasmine Town, and said recently that she found herself still occasionally thinking about the book, months later. Which to me is such a high compliment! And it has led me to ponder: what is it that makes a story, be it book or show or film, stick in our heads longer than usual?

 

Plenty of shows or books are perfectly engaging while we’re watching/reading them, but after we’re done, they drop straight out of our consciousness. We barely give them another thought.

 

Then there are those we can’t stop thinking about. What is it about those? What qualities make them that way?

 

I have more pondering to do on this, but I have a preliminary theory. These “sticky” stories are ones in which things don’t turn out entirely perfectly.

 

The ending might be satisfying on the whole, but there are elements that hang around to haunt us, because what happened to some characters was incredibly unfair, even tragic, and there’s no fixing it. (Except of course with fix-it fic!) Problems we want to fix, but cannot, are much likelier to linger in our heads than problems that got neatly tied off and resolved.

 

Ballad for Jasmine Town has more of those tragic elements than many of my books do. Without giving spoilers, there are some huge unhappy things that befall a whole lot of characters, and even with (okay, minor spoiler) restored peace as the ending mood, those events cannot be undone.

 

And now that I think about it, the various series for which I have become an obsessive fan have all had that quality. Lord of the Rings has the Grey Havens. BBC Merlin has le morte d’Arthur (a.k.a. That Damned Ending). The Untamed has a brutal body count that includes beloved and/or innocent characters. And so on. Much as I insist that I need sufficient lightness and fun and hope in my stories—which I do, truly!—it would seem I also need a certain amount of sadness that grips me and won’t let go, if I’m going to become a hardcore fan about it.

 

Frodo and Sam sad at the Grey Havens

Merlin and the dying Arthur in the BBC Merlin finale

Wei Wuxian grieving in The Untamed
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It recently occurred to me that Howl’s Moving Castle is kind of another retelling of Jane Eyre. No wonder I love it.

 

HMC is of course in the fantasy genre and is more whimsical, not gothic and set in the real world like Jane Eyre or other novels that also retell it (e.g., Daphne du Maurier’s Rebecca, or Frances Hodgson Burnett’s The Secret Garden—both of which I also love). Nonetheless, consider the similarities:

 

·      Young woman, largely unappreciated and downtrodden throughout her childhood, sets out on her own and acquires employment and lodging in a large, gloomy, isolated castle/manor owned by a mysterious but alluring man

 

·      She soon makes friends with the man as well as a youngster who lives there (Howl’s apprentice, Markl; Rochester’s ward, Adèle)

 

·      The guy definitely has some complicated secrets

 

·      One of the house’s other denizens, who is fire-themed, is central to the man’s complicated secret (Calcifer the fire demon/shooting star; Bertha with her tendencies toward arson)

 

·      There are themes of disguise and transformation (various HMC characters are under appearance-altering spells; Rochester pulls off an “old gypsy fortune teller” disguise, among his other deceptions)

 

·      Both stories employ many juxtapositions of the eerie, dark, architectural/technological interior of the manor/castle against the peaceful, lovely natural landscape it sits in

 

·      The young woman’s forthrightness and courage eventually lead the man, herself, and the household into a healthier state of trust, love, and honesty

 

I grant you, this connection might be a stretch. Both stories could also be more broadly classified as Cinderella stories with a dark dash of Beauty and the Beast and/or Bluebeard. And in general it’s extremely common for any happy-arc story to be about damaged people finding each other and thereby becoming more whole. Still, it has pleased me today to find and highlight these similarities between two stories I love.

Toby Stephens and Ruth Wilson in 2006's Jane Eyre

Sophie and Howl in Studio Ghibli's Howl's Moving Castle
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 I just watched the new Lady Chatterley's Lover on Netflix. I wasn't expecting much, since adapting this book tastefully is always tricky, but I actually loved it. Yes, there's nudity and sex aplenty—that's an integral part of the story's territory—but to me it felt natural, lush, and highly romantic. In fact, I'd guess that the most valid accusation about it is that it's more romantic than the novel, which has a darker and more grim feel. (Find me a book set in coal-mining lands that does NOT have a grim feel.) But I'll take the more romantic interpretation any day, because that's how I swing.

I attribute the lovely and emotionally alive feel of this film to the fact that it had a female director, Laure de Clermont-Tonnerre, and the female gaze she brings to it. What do women want? Besides occasional escapes to the secluded forest cottage in the rain to tup the gruff but tenderhearted and book-reading gamekeeper, we want thriving green scenery, atmospheric country houses with cool vintage furnishings, beautiful frocks (to discard on the forest floor as we please), and intelligent conversation in which we are heard and respected for our choices. And that's what this director serves us lavishly in this adaptation.

Fab job to all involved. (Especial kudos to Emma Corrin and Jack O'Connell for the incredible bravery of all that nudity and intimacy.)

One screenshot censored just to keep myself out of internet jail.

Emma Corrin and Jack O'Connell about to kiss as Connie and Oliver

Connie showing a glimpse of leg to Oliver

The two lovers in a faraway shot, nude against a tree in a green field


Lord Chatterley shocked at what he's heard from his wife

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 First, a quick piece of writing news: I recently finished the first draft of Ballad for Jasmine Town, my next book! It takes place on Eidolonia, the island of fae and witches where Lava Red Feather Blue is set, but you won't need to have read Lava Red Feather Blue to understand it. Each book can be read as a standalone. The manuscript is currently incubating undisturbed for a month or so before I open it up again for revisions, but I will of course have more to tell you about it in the future.

Meanwhile: we are almost to my favorite holiday, Halloween! In my opinion the US needs more holidays where we wear costumes, roam the streets at night, and exchange chocolate free of charge. Not to mention all the spooky movies and books we treat ourselves to this time of year.

This got me thinking that I should rank the top five most Halloween-suitable books among my own writing. Here is what I came up with, and I admit I am perhaps cheating since one of them is a three-book series:

5.
Sage and King – Only scary if you have a phobia about spells that turn you or your body parts into plants. Assassin magicians can be mean that way. Overall mood is fluffy and steamy, though.

4.
Lava Red Feather Blue – Not too scary on the whole, except for one scene involving a dark passage through a fae-realm forest of birch trees whose purpose in life is to terrify and/or kill anyone who enters.

3. The
Persephone’s Orchard series – It is about the gods of the dead, after all, and there are some cruel murders and a dash of human sacrifice. (The Bronze Age; these things happen.) But said gods are basically lovely people in my version.

2.
The Ghost Downstairs – This one has several traditional creepy haunted house moments, which I personally think are some of the spookiest scenes I’ve written. But it’s also essentially sweet and romantic throughout in terms of mood.

1.
The Goblins of Bellwater – To me this novel isn’t truly scary, but I would say it’s my eeriest and most unsettling book, so moodwise it’s probably the best Halloween fit.

As for films, we have so far dusted off two old favorites for weekend movie nights, both of them comedy monster movies:
Tremors and Young Frankenstein. Truly delightful!

Do you have any favorite reading or viewing for Halloween season? I want to hear about your costume too!

Be well and pace yourself on the candy.
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Couple of announcements:
First, an LJ one. I can no longer access my mollyringwraith LJ. I did not lose the password; I am a good password steward and I still had it! But when I tried to get in the other week after hearing it was subject to a security hack, LJ helpfully told me the password was too old and I had to change it. Which you can only do by email verification. And the email never arrived, so probably LJ had a defunct email of mine as the contact. And their FAQ says there is no other way to recover access if the above process doesn't work. So. That is now closed to me. It might get purged by LJ; I don't know. Copy and save any posts you want to keep from it.

Other announcement:
I am mostly letting my Goodreads account go dormant, as I am tired of the toxic atmosphere there. I’m going over to Storygraph instead. Find me under mollyringle and send me a friend request! I am new there and barely have anyone added yet.

When someone saw my post on GR that announced the above, they asked, in all innocence, “Why do you find Goodreads toxic?”

Here is my answer, and know that this is the short version and I could go on and on:
The worst is the cruel, snarky tone of many of the negative reviews. They often go beyond "what didn't work for me" and well into scathing, hateful rants.

Then, the site lets you upvote reviews, so people may like those snarky ones because they find them funny, but those who disagree or find them unhelpful have no way to downvote them. So such reviews often float to the top and are the first ones people see for the book.

Also, Goodreads puts the star ratings front and center, and sometimes the mere number rating is enough to turn people off from trying a book.

And finally, Goodreads is now owned by Amazon, which has not proven itself a great friend of the publishing trade on the whole. (That’s a whooooole other long post that I don’t feel like writing. But google it if you’re curious. Lots of publishers, authors, and industry pros have spoken on the subject.)

Storygraph, meanwhile, tucks away star ratings and reviews discreetly—you have to scroll a bit to find them at all—instead putting focus on the book’s genres, subgenres, tone, style, and pacing. It also, true to its name, makes some really cool graphs and charts of your reading habits once you’ve entered the books you’ve read.

And: yes! You can import your Goodreads reading history into Storygraph. It wasn’t hard for me to do at all. (You can google that too. That’s what I did.) So please find me there! We all deserve a calmer and less toxic reading discussion experience.
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I often see people mourning what Rowling has done to HP fandom. The fandom meant so much to them, they say; they can’t just stop loving it. Ah, but can’t you? If a friend said that about a problematic ex, wouldn’t you say that wasn’t a healthy outlook?

Look, I get it, about fandom being mega-important. Fandoms have kept me out of despair at various times in my life too. They are precious and wonderful and meaningful. All that said…

HP was mostly over as an active fandom producing fresh canon several years ago. (We’re not counting Cursed Child or Fantastic Beasts, agreed?) It is, I would say, time to move on to something new.

Much as with an ex-lover, you can acknowledge how amazing your time together was, while considering that chapter of your life closed now. Hurray! You are free to love anew! It’s a good thing.

There are SO MANY wonderful fantasy books, shows, films, etc. out there that are even better than HP and that will mean just as much to you or more, and they’re just waiting for you to discover them.

The longer you stay hung up on the toxic decay of one particular fandom, the longer you put off those beautiful new discoveries. Close the chapter. Thank it for its service. Walk away and into better fandoms. Live happily ever after.
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It's been too long since I've brought on another author for Q&A, and I'm pleased to be doing so again with Darlene Foster! I met Darlene (in an online sense) through our publisher in common, Central Avenue Publishing, and she's one of the most upbeat, easygoing, fun-loving writers I know. Her Amanda Travels series is a wonderful set of books for middle-grade readers in which the young Amanda visits a new country in each book and always encounters an adventurous mystery to untangle. They're perfect for the young armchair traveler—or real-world traveler—in your life.

Author Darlene Foster

The eighth book in the series comes out this May: Amanda in Malta: The Sleeping Lady. I got to read an advance copy of it, and was instantly longing to go to Malta and soak up the sun and stroll between the stone buildings with their artistically idiosyncratic door knockers! 

Cover of Amanda in Malta: The Sleeping Lady


Darlene was kind enough to answer some questions for me as well, so let's dive into those:

Q: When did you start writing fiction? What were your earliest stories like?

A: I’ve been telling stories since I learned to talk. My grade three teacher, Miss Roll, encouraged me to write them down. When I was twelve years old I had a short story published in a local newspaper. Called Stretch Your Food Dollar, it was about two friends having an adventure in Woolworths department store. I guess the idea of two girls having an adventure has been there for a long time! 

Q: When you visit places, how much are you thinking about a possible story while you’re there? Or does the story idea come later?

A: When I visit interesting places, I am always thinking about how I could use it in a story. When I was in Malta, I kept saying to my husband, “Amanda would love it here!” I take a lot of pictures and jot down notes wherever we go. I once read that a writer never really takes a vacation as they are always looking for story ideas. I can attest that is true.  

Q: What draws you to writing middle-grade fiction as opposed to stories for other age groups?

A: Some would say I have never moved past twelve myself! For some reason, I can easily relate to this age group. I think they are wonderful. Tweens are not little kids anymore but not yet terrible teenagers. They can be so astute and mature at times but still naïve and unsure of themselves at other times. It is the age when they start to assert their independence and become curious and questioning. It is my favourite age and I have no intention of growing up. 

Q: I admire Amanda’s fearlessness and willing to take on adventures. Is that what you were like at her age?

A: It wasn’t what I was like, but it was what I wished I was like. I lived on a farm and we didn't travel or have a television. So my world was very narrow. I was timid, bookish, and the only adventures I had were in my imagination. So I created a character I would have liked to be. 

Q: Give some advice to the aspiring travelers of the world: what are your must-bring items that lend to happier traveling?

A: The most important thing to bring is an open mind. Accept that things will be different wherever you go, the food, smells, people, climate, customs, etc. Embrace those differences and you will have an enjoyable and enriching time. Also bring a camera, a notepad, and pen. Everything will be overwhelming and you will never be able to remember it all. Pictures and notes bring it all back. I would rather look at my travel photos than watch TV. 

Q: What are you writing now, or planning to write next?

A: I am halfway through writing Amanda in France: Fire in the Cathedral. Amanda will fall in love with Paris, Versailles, and Monet’s garden in Giverny. Oh, and she will get to stay in a bookstore! Wouldn't every young girl like to visit France? I know I would have loved it.  

----

Darlene Foster is a Canadian author who has written the popular Amanda Travels series, featuring a spunky twelve-year-old who loves to travel to unique places where she encounters mystery and adventure while learning about another culture. Readers of all ages enjoy travelling with Amanda as she unravels one mystery after another in various countries. Darlene has won prizes for her short stories and a number of them have been published in anthologies. She has also written a bilingual book for English/Spanish readers.

Darlene grew up on a ranch near Medicine Hat, Alberta, where her love of reading inspired her to travel the world and write stories. Over the years she held wonderful jobs such as an employment counsellor, ESL teacher, recruiter, and retail manager, and wrote whenever she had a few spare minutes. She is now retired and has a home in Spain where she writes full time. When not travelling, meeting interesting people, and collecting ideas for her books, she likes to spend time with her husband and entertaining dog, Dot.

Her books include Amanda in Arabia: The Perfume Flask, Amanda in Spain: The Girl in The Painting, Amanda in England: The Missing Novel, Amanda in Alberta: The Writing on the Stone, Amanda on The Danube: The Sounds of Music, Amanda in New Mexico: Ghosts in the Wind, and Amanda in Holland: Missing in Action. 

All of the published books by Darlene Foster in the Amanda Travels series

Amanda in Malta: The Sleeping Lady will be released in the spring of 2021. 

Buy links

Amazon Canada here

Amazon UK here 

Amazon US here 

Barnes and Noble here

Chapters/Indigo here

You can connect with Darlene on social media at the links below:

Facebook
Twitter
Instagram
LinkedIn
Goodreads

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 Lava Red Feather Blue is available now!

Guess I should advertise my own book on my own blog, a little? 😀

So yes, Lava Red Feather Blue is available as of yesterday! The above graphic is from the wonderful KinzieThings blog, who ran a fabulous review of the book.

What is the book? Well: "Sleeping Beauty, but make it gay!"

Prince Larkin, born July 27, 1773; put into enchanted sleep December 22, 1799…accidentally awakened March 18, 2020.

It’s a quest, it’s a queer love story, it’s an adventure among fae and witches, and best of all, it’s an escape from your own country.

Order now wherever books are sold! But be a noblebright hero and order through an independent bookseller for best karma: https://www.indiebound.org/buy-local/9781771681988

Reviewers are saying:
“One of the most enjoyable reads of 2020 for me!”
“Merrick and Larkin found their way into my heart immediately.”
“This book was something that I desperately needed in my life.”
“Freaking adorable.”

Whew. That's definitely enough talking about myself for one post. I better go geek out about some fandom thing. Meanwhile, here is a hedgehog in a tiny kayak, as a way of thanking you for reading this far:

hedgehog in a tiny kayak

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I haven't posted here about the new book, have I? Here is its magnificent cover!

 
Cover of Lava Red Feather Blue by Molly Ringle: mountains, starry sky, jewels, trees 

All of you who love the idea of a m/m Sleeping-Beauty-inspired urban fantasy set in a fictional island country full of fae and witches: please go request it on NetGalleypreorder it (release date is January 5, 2021), or just put it on your Goodreads shelves to remind yourselves later.

This was the first time I've invented an entire new country for a story, so that was especially fun. I'll probably write more books set on this island, now that I've gone to the trouble of building it.

That is all. Hope you are all as well and sane as is reasonably possible in a year like this one. 

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Magic systems in fantasy! They are not all alike, as you know, but here's one of the ways to categorize them: a spectrum between "soft" and "hard" magic. Hard magic systems have defined rules on how they work, and the reader is told what they are—e.g., the four element types of bending in Avatar: the Last Airbender have certain basic limits, which is why the characters are astounded when, say, Toph invents metalbending. Soft magic is more mystical and indefinable—e.g., we don't really know HOW Gandalf does all the magic he does, or even what his limits might be; we just accept that he's a wizard and such things are unknowable to the likes of us.

I tend toward soft magic, though moderately so, in my fantasy books, because I feel like the more you give precise, quasi-scientific explanations for magic, the more it's likely to bug people who actually know science. (Also the closer it comes to being science fiction instead of fantasy.) That said, I do put limits and costs in my magic systems: the fae in The Goblins of Bellwater (and Lava Red Feather Blue), though very soft-magic in terms of having large and undefined amounts of power, must nevertheless adhere to deals they make, because that's just the rule.

I also tend toward preferring soft magic in reading, because I don't REALLY feel I need pages of detailed explanation about which material and which rule loophole and which move is the way to solve things; I'm good with a briefer and more mystical explanation. However, many readers do love the details. Neither side is wrong! It's a matter of preference—and it's also on the shoulders of us writers to be consistent within a given story, whatever slot on the spectrum we're picking.

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Happy February!
Deals seem to be the theme of the month so far. First, thanks to The Wild Rose Press trying a big new promotion, there are LOTS OF FREE CODES for Audible, up for grabs for both UK and US users, for
The Ghost Downstairs and Summer Term in their audio editions. Go claim one! And if you are willing to be so kind, a review afterward on Amazon and anywhere else you leave reviews would be much appreciated.



For those who prefer reading on screen, some of my ebooks are also currently going for only 99 cents on Kindle:

These would make great romantic gifts on the cheap for Valentine's Day, for your Kindle-reading loved ones. (The first two would, anyway. Goblins is a good choice for those friends with more twisted tastes.)
Now for my New Year's resolution that has actually been working: What I did was choose more of a theme than a resolution. My theme is a three-part one, interrelated:
Reading, writing, editing.
My resolution is basically: focus on doing one or more of those things for the majority of my day. If I'm doing something else—e.g., scrolling mindlessly through social media—I try to pause and ask myself, "Does this count as the reading, writing, or editing I'd like to be doing?" Generally, no, it does not, so I close that window and do one of my chosen things instead.

The simplicity of the theme has helped me stick to it, especially given these are all activities I want to pursue anyway. I've been reading more, writing more, and am farther ahead on my editing coursework than I thought I'd be at this point in the year, so it's working!
Have you found a resolution, or a similar theme, that's gotten you into a productive groove this year? Let me know! I like hearing what works for others.
Meanwhile, enjoy reading—or listening (which in this case counts as reading).
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Hello all -

Exciting news first: there's a new book on the way! I've just signed a contract with Central Avenue Publishing (my awesome publisher for the past several books as well) for my next novel, currently titled Lava Red Feather Blue. For those who read The Goblins of Bellwater and wanted more fae, I have heard you! This one has loads of fae, including a protagonist who's half-fae, half-human. Meanwhile for those of you who read All the Better Part of Me and wanted another male/male love story, I've heard you too: this one also has that! It's set on a fictional island nation in the north Pacific, and I'll have plenty of time to tell you more about it in the coming year, but for now, you can add it to your Goodreads to-read shelf. And here's a teaser graphic with character-inspiration images.

As for news of books that are already released: I went to the Pacific Northwest Booksellers' Association trade show a couple of weeks ago, where I talked up All the Better Part of Me and signed mountains of copies. 

This is a show that isn't open to the public, only to registered independent bookstore owners/employees and the publishers and authors who are displaying their books. I met so many lovely bookstore folk from all over the Northwest - please do remember your nearby independent brick-and-mortar stores and go buy books from them! They work hard to build a collection their customers will love.

I'll keep the update to just that for today. But please do tell me what you're going to be for Halloween, if you celebrate it and if you feel like sharing. It's one of my favorite holidays, as you might guess from the rather large number of paranormal happenings in the books I write. Have a wonderful weekend!

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 I've been social-media friends with writer Roberta Blablanski for years, and lately, since we both had new m/m books released, we got up the idea to write guest posts for each other on how music has influenced and inspired our writing. My post for Roberta is over at her blog, and now I'm delighted to host her post here!

Take it away, Roberta!
--

Ever hear a song for the first time that immediately gives you all the feels? A story builds in your head of two lovers coming together for the first time, or someone grieving for a love they can’t have. Longing and heartbreak, lust and love. Most of us can identify with those emotions, and the perfect combination of lyrics, melody, and crooning have the potential to make us feel as though we are experiencing what a song is conveying.

Music is part of my writing process. At times when I find myself stuck with writer’s block, the right song will pop up on my playlist, helping me tap into the emotions of my characters. Writing some of the more angsty scenes of Addiction was challenging for me as someone who has not personally experienced drug addiction. I created a playlist that mirrored the emotions my characters were experiencing—denial, helplessness, frustration, hope.

I also use music as a refresher or palate cleanser. Writing particularly difficult scenes can be draining. Putting on something upbeat, fun, or lighthearted gives me a more positive frame of mind. Too often I find myself becoming too absorbed into my writing and having an outlet for bringing myself back to reality—and a reminder that I’m not actually living the life of my characters—is necessary.


Addiction can destroy your life. But if you destroy addiction, can you get your life back?

At twenty-eight, Owen Fredrikson is homeless, unemployed, and grappling with drug addiction. Before he let drugs take over his life, he had a pretty sweet job working the front desk of a fancy hotel, his boss was his best friend, and he had a loving fiancé.

After three years together, thirty-three-year-old middle school math teacher Dex Atterbury could no longer ignore Owen’s demons. Dex made the tough decision to part ways, leaving Owen destitute and Dex heartbroken. When tragedy befalls Owen and Dex is called to his side, Owen has some tough decisions to make. Both men must determine how far they are willing to go to rebuild the life they once shared.

Can Owen conquer his addiction while facing his demons? And can Dex open his heart and trust Owen again?

Content Warnings:
Depictions of drug addiction, drug use and abuse, and drug withdrawal
Scenes of violence 

 

Universal Buy Link: getbook.at/AddictionRB

Find Roberta at:

Facebook: https://www.facebook.com/roberta.blablanski.7

Facebook Group: https://www.facebook.com/groups/RobertasRamblings/

Twitter: https://twitter.com/Roberta_Blab

Instagram: https://www.instagram.com/robertablablanski

Goodreads: https://www.goodreads.com/author/show/18590798

BookBub: https://www.bookbub.com/profile/roberta-blablanski

Website: http://www.robertasramblings.com

Newsletter: http://eepurl.com/ghniBf  


Roberta Blablanski hails from The Big Easy: New Orleans, Louisiana. She draws inspiration from her colorful hometown and her former life as a college radio DJ. When she isn’t writing, she spends her days searching for the world’s best Bloody Mary and avoiding people she went to high school with. Her normal habitat is curled up in bed with a good book and a cup of coffee.

Roberta developed a love of books at an early age, spending her summers at the library. Years later, after watching the American version of the television show Queer as Folk, she began searching for books featuring queer characters finding love. Most recently, she began writing queer love stories of her own, drawing from her own personal experiences and creating characters and story lines as vibrant as her ever-changing hair color.

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All the Better Part of Me is a coming-out story, a story where a lot of the focus is on sexuality and identity. But it’s probably the only one of that category I’ll ever write.

I have written and will continue writing characters who happen to BE queer (along with straight ones), where the story’s focus is on other things, but it’s true that a focus on LGBTQ issues feels like “not my story to tell.”

Some have told me so. Usually straight liberal friends concerned about appropriation or “getting it wrong”—never my actual LGBTQ beta-readers and friends, who have been enthused and encouraging, while also helping fix my awkward wording in stories dealing with these topics.

I was moved to write a story about coming out and having homophobic parents because of the many, many true stories I keep hearing from LGBTQ folks still being needlessly damaged by the attitudes of others, even in our “tolerant” era, even in “blue states.”

I wrote ATBPOM to say “I see you and I love you and support you” to them, and, sure, maybe to hope I might change a few homophobic minds if they’re open to changing (ha, well, I can dream). But having written it, there, I step back and leave the issue-book field.

I’ll move on to the cheerier scenario: LGBTQ characters getting to have cool adventures alongside the straight cis characters without sexuality or gender identity being an issue. The way things should be; the status quo we can aspire to.

It’s daunting as a cis-het white person to write diversity, even when we long to for the sake of fairness and variety and having more interesting stories, even when we get lots of sensitivity readers for it, even when we get a green light from them. We’re going to make someone mad on book-Twitter regardless.

But I know perfectly well it’s scarier to BE any of those minorities. I want it to become un-scary. I want that shining future. I hope well-written diverse books, no matter who writes them, can help open mindsets so we can get there.

(…Because believe me, if I only wrote characters who matched my own identity—middle-aged white happily-married-to-a-guy stay-at-home writer/mom in Seattle—you’d rightfully gag and then die of boredom.)
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When it comes to historically significant fairy tale writers, you've heard of the brothers Grimm, Hans Christian Andersen, and maybe even Charles Perrault, but have you heard of Marie-Catherine d'Aulnoy? Writing at the same time as Perrault, she composed and adapted traditional fairy tales, retelling them in literary style to publish and share at salon gatherings. She was in fact the one credited with popularizing the term "fairy tales": "contes des fées."

She was forced into an unhappy marriage at age fifteen, tried to get revenge a few years later by conspiring to have her husband imprisoned, and, when that failed, was forced to flee France for many years, although according to Wikipedia she MAY have worked as a spy for France while living abroad.

Upon returning, she charmed her way back into good social standing with her romantic contes des fées, "where love and happiness came to heroines after surmounting great obstacles." And she ought to know about those things.

Raising my cup of coffee to you today, Madame.

https://en.wikipedia.org/wiki/Madame_d%27Aulnoy
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In her books about happiness and habits, writer Gretchen Rubin describes the Four Tendencies, the personality framework she created. I realized in studying them that these tendencies are not only a fabulous way to learn about ourselves and our friends, but to flesh out our fictional characters too.

 

Brief description of the Four Tendencies:

 

Upholders are people who respond readily to both outer and inner expectations; that is, expectations from others as well as expectations they set for themselves.

Questioners are people who meet inner expectations, but question outer expectations; they’ll meet others’ expectations only if they think they make sense.

Obligers are people who meet outer expectations, but struggle to meet expectations they impose on themselves.

Rebels are people who resist all expectations, outer and inner alike, but can do nearly anything they truly want to.

 

Since this framework deals with people’s response to goals, it’s related closely to motivation—which, as every fiction writer knows, is crucial in understanding characters. What are we advised to decide right away for every main character in every scene? Their goal, their motivation. Thus knowing your character’s Tendency will help you know how well they will perform under various challenges.

 

Is your character’s goal imposed by another person, such as an assignment a teacher gives a student? A student who is an Obliger or an Upholder will dutifully do the assignment even if they don’t like it. A Questioner will ask herself if she has a good enough reason for doing it, and if so (for instance, if getting good grades is important to her), she’ll buckle down and complete it. A Rebel might have trouble getting around to it even if he means to—or, conversely, might have no trouble doing it if he decides that writing this essay is what he wants to do, but he’ll probably bend or break some of the instructions in the assignment.

 

Or is the goal an inner expectation, such as the resolution to find a new job by the end of the month? In a situation like this, Questioners and Upholders have no trouble sticking to their self-appointed task. Obligers, meanwhile, find it hard to follow through unless someone else is counting on them—for instance, if their family needs the money and it’s therefore important that they find work. As for Rebels, there’s no counting on them unless they’ve hit upon a job that calls out to them and they’re determined to do it, at which point nothing will stop them. Expecting a Rebel to meet someone else’s meticulously laid out job qualifications, however: don’t bet on it!

 

Once I decided, in my latest novel-in-progress, which Tendencies my main characters belonged to, it helped me see their strengths and flaws more clearly, and thereby made it more obvious what their overall character arc should be. An Obliger might have to learn to break free from the burdensome expectations laid on him by others and stand his own ground. A Rebel might have to learn to shoulder more responsibility for her actions and take fewer reckless risks. A Questioner might have to learn to trust someone else and take a leap of faith. An Upholder might need to learn to loosen up and let his plans change.

 

Rubin and the contributors commenting on her blog have come up with examples of the Four Tendencies among famous fictional characters. Hermione Granger is a textbook Upholder, turning in every bit of homework on time as well as doing extra assignments she chose for herself. Jane Eyre is a Questioner, not accepting the rules of others until she has thought things through to her own satisfaction—in fact, on the first page of the book, her disapproving aunt calls her a “questioner.” George Bailey in It’s a Wonderful Life is an Obliger, always tending to everyone else’s needs, sometimes at the expense of his own goals. And Sherlock Holmes is a Rebel, doing exactly what he wants, when he wants, with brilliance and total disregard for other people’s rules and expectations.

 

How about your characters? Which Tendency do they follow, and how does this illuminate the actions they’re likely to take?

 

You can take Rubin’s quiz here to find out your own Tendency or that of your characters.

 

As for me, I’m a Questioner. My thought when that answer came up was, “Hmm, I don’t know, I really thought I was an Upholder. I question the…oh.”

 

mollyringle: (Default)
I finally read The Cursed Child. Thoughts:

1) Wow, people weren’t kidding about Albus/Scorpius being practically a canon couple. I’m going, “sweet! we finally get an on-page HP gay relationship?” …haha. No. Of course not. Truly Johnlock levels of Suspiciously Close Friendship. It’s like Rowling wanted people to write All the Fanfic but didn’t want to actually go so far as to include the gayness in canon.

2) I do not see Cedric Diggory turning Death Eater because of losing the tournament. Hufflepuffs roll with humiliation, plus EVERYONE at Hogwarts gets embarrassing spells put on them, like, daily.

3) I know wizards aren’t that into Muggle stuff, but honestly, they haven’t heard of DNA tests to put this “Voldemort’s your dad” rumor to rest?

4) If you are going to bring Time-Turners back into it, and you feel you must save someone, YOU CHOOSE FRED.

5) Scorpius is darling. Seriously. He makes this whole Harry Potter and the Flux Capacitor episode worth it.

6) I feel so much better about my own plot flaws now.
mollyringle: (Default)
 Looking over my Goodreads list from 2018, I realize I have read a lot of male/male romance. So I figured I’d better make you a list of all the good stuff. 

I’ll only include the smaller-press or indie titles, because, like, yes, I did read The Song of Achilles by Madeline Miller and Aristotle and Dante Discover the Secrets of the Universe by Benjamin Alire Sáenz, and they were great, but everyone already knows about those and they don’t need a plug from me. So here are others!

 

On the short side, a few novellas:

Defensive Play by Jamie Deacon: A closeted English football (soccer) player reconsiders that closet when he runs into a cute out player on the opposing team. 

Return to Sender by Roberta Blablanski: A pair of men who last saw each other as teens and had love letters go astray reconnect at last.

Peter Darling by Austin Chant: A Peter Pan/Captain Hook pairing, retold in a way that actually might work better for me than the original, by taking some of the disturbing creepiness out of Neverland and replacing it with lovely sweetness. Fantastical and awesome.

Cinnamon Eyes by Nell Iris: Childhood friends reunite to find there’s something more now, with a lovely music-story backdrop.

 

And the full-length novels:
 

Band Sinister by K.J. Charles: If Georgette Heyer had been inclined to write naughty m/m, this might be the result. So fun and endearing (and steamy!). 

Pansies by Alexis Hall: It’s not every writer who could pull off a love story between a former bully and that guy’s former victim, but Hall made it work for me, with plenty of emotion and laughter. (And kinky hotness.)

The Impossible Boy by Anna Martin: Non-binary man with anorexia issues finds love and new friends, in hip London setting.

The Enlightenment series by Joanna Chambers: Fabulous early-1800s Edinburgh setting (I love Edinburgh!), and sexy pairing of lowly working man and rich nobleman (I love class barriers). Requires the whole trilogy for the romance to go through its proper arc, but they’re swift and compelling reads.

For Real by Alexis Hall: Warning: super kinky! I wasn’t sure I was up for this level of BDSM, as I don’t know that scene at all, but Hall is so good at making characters real and relatable (and hilarious) that I got right into it with very little difficulty. Much like with the film ‘Secretary.’ 

Recommend some good reads if you have them, and happy new year!

mollyringle: (Default)
 I've had a busy November, but delightfully so: I've begun revisions on the guy/guy modern romance featuring a character named Sinter, whom some of you may remember from earlier versions and other posts of mine. 

This book was formerly titled different things over the years through its various revisions: Dramatically Inclined, Boy in Eyeliner, 32 and Raining... And in discussion with my wonderful editor Michelle at Central Avenue Publishing, we came up with yet a new title for it this time around: All the Better Part of Me

This quote comes from Shakespeare's sonnet 39, which begins:

O, how thy worth with manners may I sing, 
When thou art all the better part of me? 

It's a love poem, which is apt; and it's one of the many, many sonnets thought to be dedicated to the mysterious Fair Youth (or Young Man), which is also apt. (You can read here, among other places, about the speculation behind Shakespeare's romantic life and the people he wrote the sonnets for.) And of course, my novel's main character, Sinter, is an actor, and lots of Shakespeare references were already in the story, so the apt-ness just keeps on coming.

We'll be doing edits and cover art and other prep work for a while here, but one thing you can do if you're on Goodreads is put the book on your to-read shelf there, as it now has a listing. Here is its back-cover synopsis:

--

It’s an inconvenient time for Sinter Blackwell to realize he’s bisexual. He’s a 25-year-old American actor working in London, living far away from his disapproving parents in the Pacific Northwest, and enjoying a flirtation with his director Fiona. But he can’t deny that his favorite parts of each day are the messages from his gay best friend Andy in Seattle—whom Sinter once kissed when they were 15.

Finally he decides to return to America to visit Andy and discover what’s between them, if anything. He isn’t seeking love, and definitely doesn’t want drama. But both love and drama seem determined to find him. Family complications soon force him into the most consequential decisions of his life, threatening all his most important relationships: with Andy, Fiona, his parents, and everyone else who’s counting on him. Choosing the right role to play has never been harder.

--

I'm glad to have this news for my gratitude list as the holidays approach! I hope you all have a long list of things to be thankful for too. Happy reading and writing, especially to those of you brave enough to be tackling NaNoWriMo. :)


mollyringle: (Default)
My upcoming book Dramatically Inclined will not be published this summer as I had originally planned. I have asked Riptide Publishing to return the rights to me, and today they have complied. They have been issuing rights reversions for many authors lately (at the authors' requests), after a lot of press has come out involving questionable behavior (sexual harassment, borderline racist comments, and more) on the part of some editors. It did not feel like a wise decision for me to stay with the press after this has all come to light, so I will be seeking publication elsewhere. This will unfortunately mean a delay in the release date, which I find frustrating and saddening, but I am relieved to have been able to make this choice before the book's release rather than after.

Once I know more about this novel's future, I will definitely update you. I hope to have a plan soon! Meanwhile, if you wish to help any of the many authors whose works have been affected by the problems at Riptide by supporting them elsewhere, here is a handy list of who they are and where to find them.

This doesn't affect any of my other existing books--which, I'm especially relieved today to say, are under other publishing houses.

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