mollyringle: (Default)

Magic systems in fantasy! They are not all alike, as you know, but here's one of the ways to categorize them: a spectrum between "soft" and "hard" magic. Hard magic systems have defined rules on how they work, and the reader is told what they are—e.g., the four element types of bending in Avatar: the Last Airbender have certain basic limits, which is why the characters are astounded when, say, Toph invents metalbending. Soft magic is more mystical and indefinable—e.g., we don't really know HOW Gandalf does all the magic he does, or even what his limits might be; we just accept that he's a wizard and such things are unknowable to the likes of us.

I tend toward soft magic, though moderately so, in my fantasy books, because I feel like the more you give precise, quasi-scientific explanations for magic, the more it's likely to bug people who actually know science. (Also the closer it comes to being science fiction instead of fantasy.) That said, I do put limits and costs in my magic systems: the fae in The Goblins of Bellwater (and Lava Red Feather Blue), though very soft-magic in terms of having large and undefined amounts of power, must nevertheless adhere to deals they make, because that's just the rule.

I also tend toward preferring soft magic in reading, because I don't REALLY feel I need pages of detailed explanation about which material and which rule loophole and which move is the way to solve things; I'm good with a briefer and more mystical explanation. However, many readers do love the details. Neither side is wrong! It's a matter of preference—and it's also on the shoulders of us writers to be consistent within a given story, whatever slot on the spectrum we're picking.

mollyringle: (Avatar)

My stress and anxiety levels in recent months have been so much lower than last year's. I could yet stand to improve my overall happiness, but "equanimity" does now describe me far more often than it used to. As a result of being calmer, I sleep better, which means I have more energy and don't get sick as often, so my physical health's much improved too.

There are lots of changes I've made, large and small, that I would say have contributed to this improvement. But here are a nice tidy three:

1. Ditching Facebook (and not replacing it with some equally time-devouring online activity). I've discussed this in previous posts. But just in case you wanted an update, I still think this was a fabulous, wondrous move, on par with breaking up with a toxic friend. (In fact, it basically WAS breaking up with a toxic friend. Or at least, a conglomerate of mostly non-toxic people who, together, somehow added up to one gigantic toxic friend.) I miss it less and less with each passing month. I'm stronger in my solitude; I have wise thoughts and am happy to keep them to myself or tell them to someone I know in real life rather than feeling any need to rush online and share.

[Edited to clarify: I'm not calling any individuals "toxic friends." I'm fond of everyone I was friends with on FB, and am happy that I'm still in touch with many of them via the *several* other ways available to us these days. It's the Facebook environment as a whole that I'm calling toxic. Too many posts, too much snark, too much drama, too much getting messaged and tagged for unnecessary reasons, too much intrusion on my work and thoughts. It felt like being trapped at a loud party I wasn't allowed to leave. Not everyone has that experience on FB, clearly, but that's what mine was like. So I post this because if anyone else is suspecting FB is detrimental to their peace of mind, I want them to know it's quite possibly so. And I want them to feel healthier too, so I do recommend reconsidering one's relationship with the site. Not with the people, necessarily--that's not the same issue.]

2. Meditating every day, or almost every day.

(I have yet to achieve the Avatar state, however.)

Yeah, meditation's all trendy and stuff these days. In fact, I hesitate to even mention that I do it, because it's so ridiculously trendy, except I must recommend it because the results are marvelous. I really do feel calmer and more compassionate on average, even with just 5 or 10 minutes a day of sitting with my eyes closed and somewhat half-assedly telling my thoughts, "Shush, come back and focus on the breath, and stop replaying that hilarious YouTube video from earlier." The practice of noticing what my thoughts are doing in the first place is the valuable part, it would seem. And though noticeable progress did take months in my case, it was so worth it. I would sooner go back to Facebook than stop meditating now. (Yes, even that!)

3. Cool tip I heard somewhere that works: when feeling stressed in a rushing-around, not-enough-time kind of way, I intentionally slow down, to the degree of doing something fully three times slower than I have to. It wouldn't make sense to take your whole day that slow, of course, but doing one minor task that slow, as a token gesture, shows your brain that it's okay; taking 45 seconds instead of 15 seconds to put away the bread isn't going to make the world collapse. Also it buys you a little time to think, breathe, get your next move figured out. It works. I like it.

Calm down, world. Calm down.

mollyringle: (bat)

Our geekiest pumpkins from Halloween: Minecraft swords, Avatar Aang (with somewhat messed-up eyebrows)...

...and a cat, and Toothless the dragon.


And I was Titania, Queen of the Faeries. Complete with battery-powered lights and safety pins, just as Shakespeare wrote.


Much rain and chocolate was had, so that was all good. How was your Samhain?

mollyringle: (Willow - Hi - by aom_leiconz)
My favorite influences, of the moment, for series that do a good job juggling large casts, humor, angst/tragedy, romance, a teen angle, and a strong supernatural element: the Harry Potter books, the Buffy TV series, and the Avatar: the Last Airbender series.

Why I mention this:
This Greek myth series has been giving me a writing experience I've rarely had: that of handling a large cast, over a sprawling amount of time, with lots of subplots and embedded smaller stories. (Thus "The Chrysomelia Stories" instead of "The Chrysomelia Series.")

You know that feeling when you're watching a TV series and thinking, "What ever happened to Person X, or that development we haven't heard anything about since the beginning of the season? What's going on with those?" Well, I now understand how the writers are probably answering, "We're BUSY, okay? There's all this other stuff to deal with!" So I shall try not to drop any threads or subplots utterly, but it's a complicated matter, and I have new respect for the writers and editors who organize such things into a coherent whole.
mollyringle: (kodama)
Hmm, I ought to find me an Avatar icon. Anyway: about a week ago, our household finished off the series with a marathon viewing of all four Sozin's Comet episodes. Whew. Exhausting but very satisfying.

We discovered many a fine moment previous to that, of course. For example, I must make mention of "The Ember Island Players" episode. HAH!! It's like the condensed parody version of the whole series till now. Love. Fake-Zuko's rippling Revlon hair might've been my favorite, though Chinese-dragon Appa was cool. Also appreciated the remark, "Your Zuko costume's pretty good, but your scar's on the wrong side."

As for coolest moment, the episode with Zuko and Aang meeting the dragons was way up there. Gorgeous.

And most heart-wrenching, going back a bit, was Appa being lost for a while. It's gentle compared to the heart-wrenching moments of LOTR or Buffy, but still, so sad, as anyone who's ever had a pet can attest. However, everything turns out okay, and that's a major piece of what I love about this series. It doesn't put your emotions *too* deeply through any wringers, nor destroy any part of your soul.

Also, the kids loved it--it began affecting them at fundamental levels. The 7-year-old now happily has jasmine tea with me at breakfast. (He says, "Mmm, jasmine tea" in an Uncle Iroh voice.) And in the bath, of course, they waterbend at each other. "Look out, it's Prince Zuko!" *SPLASH*

By far the most compelling character arc is, of course, Zuko's. I have so many warm fuzzies for his relationship with Uncle Iroh alone, but his awkward bonding with the rest of the cast was a total delight too.
(Oh yeah, on the best-of list, possibly the funniest bit of dialogue all series:
Sokka: My first girlfriend turned into the moon.
Zuko: That's rough, buddy.)
...But anyway, Zuko's arc, like Spike's on Buffy & Angel, or even Snape's in Harry Potter (kind of), is interesting because it's the most dramatic change; the most redemptive. But none of those guys are the technical heroes of the stories. Aang, Buffy, and Harry Potter all start out as pretty good people, and despite some dark moments, they never go *too* dark, and therefore their arc is only from "younger and more innocent to older and braver," without the dramatic change that the aforementioned former enemies go through.

So this makes me wonder: can a hero ever be quite as interesting as those secondary characters who go from villain to ally over the course of the epic? Just throwing that out there as something to think about.

I've also caught up now to all available episodes of Downton Abbey and Sherlock, so we can talk spoilers for those if you want. Carson, more tea, please.
mollyringle: (Gryffindor)
A few Avatar thoughts, salvaged from Facebook (where they'll become near-impossible to find again after a short while)...

Jan. 30: Avatar episode with the singing nomad hippies, and the cave of love, and Sokka improvising a badger-mole song: funniest episode ever, so far.

Feb. 3: For those with whom I've talked about the Zuko/Katara ship--I saw this online.
Zutara & mad Aang
Hee. Cute. (Poor Aang.) My compliments to the artist.

Feb. 10: Saw the "Tales of Ba Sing Se" episode of Avatar tonight. Cannot decide what was funnier: Sokka getting involved in a haiku battle, or Zuko's date with Jin. Iroh's story was delightful and awesome, ending on a note of so so sad. Meanwhile, Zuko firebending the lamps into lighted-ness on his date was a surprisingly romantic gesture.

Feb. 12: I was going to say, "Someone should make a T-shirt that says 'Jasmine Dragon Tea Shop, Ba Sing Se,'" but of course someone already did. Sweet. (Scroll down about a third of the way. They also have a "Fly Sky Bison" shirt.)

In other news, I'm embarking on a re-read of Goblet of Fire now, so I can finally parody it. Oh yeah. It has the Quidditch World Cup along with the Goblet of Fire competition. Okay, so maybe this will go in the parody:

ROWLING: Funny story! So, my editors were like, "People are getting a bit tired of Quidditch," and I was like, "How could anyone ever get tired of Quidditch?!" And they were like, "Let's just try some other big competition instead," and I was like, "OR, we could do BOTH." Which is how we ended up with a 734-page-long novel.
mollyringle: (kodama)
Almost done with season 1 of Avatar: the Last Airbender, and though I don't know any spoilers from future seasons (LET'S KEEP IT THAT WAY), I'm going to go out on a limb and suggest that there are a lot of hardcore Zuko/Katara shippers out there. The enemy coupling isn't my usual style, but I see the attraction in this case, partly because Zuko is actually complex and might have an interesting arc by the end (hope so), and partly because Aang is *twelve*. And all these people are cartoons. So that makes the whole shipping thing feel weird to me too. But I'm sure these fics exist.
#scaredtolook

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