The Bechdel Test and my books
Mar. 30th, 2011 01:12 pmNovelist
kateelliott first introduced me to the Bechdel Test in this post about epic fantasy. The Bechdel Test was originally created for movies, but can be applied easily to books too. As its official page states, the test rates a movie (or a book, we could say) on the following three criteria:
1) It has to have at least two women in it,
2) who talk to each other,
3) about something besides a man.
This test has stuck in my mind ever since reading Elliott's post, because, as she says, it's kind of astonishing how many books and movies don't pass all three criteria. I do believe in basic equality, and those three simple rules seem more than fair.
So naturally it made me look at my own novels. And I'm chagrined to say that some of them barely squeak by, or might even fail. Quick rundown:
The Ghost Downstairs: Passes with full marks. Lots of female characters--in fact, more females than males. They do discuss men (it's a romance, after all), but they also discuss ghosts and jobs and stuff.
Summer Term: Hmm. I do have a number of active female characters, but most of them don't interact with each other, or only meet briefly. The two best friends, Paige and Ky, do chat a lot, but it's almost always about men. Again, in my defense, it's a romance, and of the most frothy sort. Still, they take sidetracks into movies and academics for a line or two here and there, so maybe this book gets a pass.
What Scotland Taught Me: Passes just fine. Of the four main characters, three are young women, who do plenty of interacting. Again, squealing (or squabbling) over boys constitutes a lot of their subject matter, but there are soberer discussions involving family members and career plans and ghost legends.
Of Ghosts and Geeks: (Novella; likely soon to be published--yay!) Highly silly, given that one of the main female characters is an obnoxious ghost, but it does pass. She and the living female protagonist occasionally talk of non-romance issues, but not much, since the whole point is that the ghost is obsessed with romance.
Boy in Eyeliner: (Not yet published. In revision.) Eek. This might fail! But my defense this time is somewhat better. It's from a first-person male point of view, and his main love ends up being with another man. Hopefully that regains some of my gender-equality street cred. Also, I've scattered the characters across the globe--Portland, Seattle, and London--so the three or four important female characters simply aren't in the same location at the same time, on the whole. Still, maybe I should reconsider that.
So. How do your favorites--or your own creations--measure up?
1) It has to have at least two women in it,
2) who talk to each other,
3) about something besides a man.
This test has stuck in my mind ever since reading Elliott's post, because, as she says, it's kind of astonishing how many books and movies don't pass all three criteria. I do believe in basic equality, and those three simple rules seem more than fair.
So naturally it made me look at my own novels. And I'm chagrined to say that some of them barely squeak by, or might even fail. Quick rundown:
The Ghost Downstairs: Passes with full marks. Lots of female characters--in fact, more females than males. They do discuss men (it's a romance, after all), but they also discuss ghosts and jobs and stuff.
Summer Term: Hmm. I do have a number of active female characters, but most of them don't interact with each other, or only meet briefly. The two best friends, Paige and Ky, do chat a lot, but it's almost always about men. Again, in my defense, it's a romance, and of the most frothy sort. Still, they take sidetracks into movies and academics for a line or two here and there, so maybe this book gets a pass.
What Scotland Taught Me: Passes just fine. Of the four main characters, three are young women, who do plenty of interacting. Again, squealing (or squabbling) over boys constitutes a lot of their subject matter, but there are soberer discussions involving family members and career plans and ghost legends.
Of Ghosts and Geeks: (Novella; likely soon to be published--yay!) Highly silly, given that one of the main female characters is an obnoxious ghost, but it does pass. She and the living female protagonist occasionally talk of non-romance issues, but not much, since the whole point is that the ghost is obsessed with romance.
Boy in Eyeliner: (Not yet published. In revision.) Eek. This might fail! But my defense this time is somewhat better. It's from a first-person male point of view, and his main love ends up being with another man. Hopefully that regains some of my gender-equality street cred. Also, I've scattered the characters across the globe--Portland, Seattle, and London--so the three or four important female characters simply aren't in the same location at the same time, on the whole. Still, maybe I should reconsider that.
So. How do your favorites--or your own creations--measure up?
no subject
Date: 2011-03-30 08:21 pm (UTC)But my second one has a nearly all-female cast, and the subject of Boys doesn't come up at all....
no subject
Date: 2011-03-31 02:30 am (UTC)I think this needs saying: believing in basic equality is feminist. I wish you wouldn't write us off as a bunch of screaming bra-burners. If you mean it as a joke, it doesn't really work, inasmuch as I've read a lot of discourse that uses the same old hoary sterotypes in total earnest.
NB: this isn't a request for you to cut the line out of your post, or anything like that. But you raised the point, and I think you should know my stance on it.
no subject
Date: 2011-03-31 03:19 am (UTC)I guess I included it to indicate that, while I'm a feminist in the sense you refer to--namely, of being in favor of equality and harmony--I'm not the type of feminist who has no sense of humor and plans to get angry because of these movie-rating criteria or anything. At the time and place I went to college (Univ. of Oregon, early '90s), there were plenty of such women, angry and in your face and really not fun to be around. Gave me a bad association with the word "feminist" for a long time, which apparently I'm still not over. Nonetheless, apologies to the rest of you who seem truly nice. :)
no subject
Date: 2011-03-31 04:16 am (UTC)As for fanfic, it's mostly male characters. I doubt many (any?) of my LOTR fics pass. But my Sherlock WIP passes; we got ladies talking to other ladies about possible female stalkers. So that one wins by complete accident. My MASH fics are also 50/50, as I've got Margaret and her nurses trying to solve a murder in one of them.
It's a good test. I think of how often I talk to my female friends about science, politics, health, vacations, etc. It just doesn't end up a lot in fiction. A lot of fiction is (as you demonstrate above) romantic in nature, so we WANT to talk with (or about) the boys. Supremely guilty. Great post!
no subject
Date: 2011-03-31 04:22 am (UTC)The heck of it is that lots of people have that association with the word "feminist". FWIW, I think this is also partly the fault of the press, because conflict sells newspapers and because it was fun to circulate the meme that "feminist"="that woman who mutilated her husband with a kitchen knife". In any case, it's certainly ingrained through the minds of a lot of people I know. I wish it wasn't but there it is.
no subject
Date: 2011-03-31 03:18 pm (UTC)no subject
Date: 2011-03-31 10:00 pm (UTC)Because I like equality, but I don't have a particular problem with stories, say, starring one man and one woman, or pure romantic fluff where all characters are continually talking about romantic concerns.
no subject
Date: 2011-03-31 10:07 pm (UTC)no subject
Date: 2011-03-31 10:11 pm (UTC)For fanfic, I think we can mostly blame the original authors. LOTR's lack of female leadership roles is squarely Tolkien's fault. To remedy it in fanfic, we'd either have to shove the females into joint protagonist positions (Arwen and Eowyn take over the quest? Cue fans rolling eyes...), or introduce original female characters (cue fans rolling eyes again).
But as
no subject
Date: 2011-03-31 10:13 pm (UTC)